This is the first in a series on mastering in general and Sterling Sound Mastering in New York in particular. In the second part I will talk specifically about Sterling and what prompted me to choose them to write about.
I have written previously about mastering. The production chain of records is something that fascinates me. It can be simple or complex depending on a wide range of genre, session and production decisions and considerations. Something that all commercially released recordings have in common is mastering (a recording issued without mastering attention may well be pilloried as poorly mastered).